artiste peintre taïwanais

創作理念

        以水平視點從自我的角度審視「觀者」與「被觀者」的相互關係，藉由創作造形來表現時間與空間的思維方式。用暗示了另一個視覺空間，來暗示事物無常的隱喻，透過隱喻手法重新思考生存的意義。從虛幻到真實，從意識到無意識，我們人原本就受時間意識的影響而導致不安與焦慮，如何除卻時間的罣礙而直入心靈的深處，是三度空間裝置作品裡所要挖掘的問題，因為現實空間的參與是強調當下的經驗，所有的時空際合都在這剎那化為永恆的現在。至少這般參與狀態是真正進入一種精神狀態，是自主的，也是自我圓滿的狀態。

 

        探討實存空間與自我思維空間的辨證關係。不同時空而有重疊情感的影像與造形，運用介入現在式的符號式觀點，置入『物』與『我』參與協調，並置或錯置，互斥出一種矛盾，可以卻又平衡的異質狀態。

 

陳穎憲、戴非

 

ARTISTIC CONCEPT

This work allows the mutual relationship between "viewers" and "the viewed" to be examined from the horizontal angle of the viewer, and employs stylized shapes to express a way of thinking about time and space. The work uses hints of an alternative visual space as a metaphor for the impermanence of human affairs. Metaphorical methods are used to rethink the meaning of existence. From illusion to reality, and from consciousness to unconsciousness, our inherent awareness of time causes us to be anxious and ill at ease. This three-dimensional installation work delves into the question of how we can root out the obstacle of time and penetrate to the deeper places of our souls. Because involvement in a real space emphasizes the experience of contemporaneity, all time exists eternally at this one moment. At least this form of participation allows us to truly enter a spiritual state, a state that is autonomous and complete in and of itself.

 

The work explores the dialectical relationship between real spaces and inner spaces of thought. The images and shapes of different times/spaces and with overlapping emotions employ a symbolic point of view that intervenes in the present tense. Through the involvement and coordination of "things" and "self," and juxtaposition and misplacement, mutual repulsion creates a contradiction, but balance can yet be achieved in a heterogeneous state.

 

Chen Ying-hsien and Jean- François Tard